Offensive songs by artists you love
Ever hear a song that made you go "ewww" by an artist that normally makes you say "wow"? I'm not talking about songs you hate by artists you hate -- there are obviously plenty of those.
I'll start off the thread with a couple.
The Beatles - Run For Your Life
Well I'd rather see you dead, little girl
Than to be with another man
You better keep your head, little girl
Or I won't know where I am
You better run for your life if you can, little girl
Hide your head in the sand little girl
Catch you with another man
That's the end'a little girl
Well you know that I'm a wicked guy
And I was born with a jealous mind
And I can't spend my whole life
Trying just to make you toe the line
You better run for your life if you can, little girl
Hide your head in the sand little girl
Catch you with another man
That's the end'a little girl
Let this be a sermon
I mean everything I've said
Baby, I'm determined
And I'd rather see you dead
You better run for your life if you can, little girl
Hide your head in the sand little girl
Catch you with another man
That's the end'a little girl
I'd rather see you dead, little girl
Than to be with another man
You better keep your head, little girl
Or you won't know where I am
You better run for your life if you can, little girl
Hide your head in the sand little girl
Catch you with another man
That's the end'a little girl
Na, na, na
Na, na, na
Na, na, na
Na, na, na
The Who - I'm A Boy
One girl was called Jean Marie
Another little girl was called Felicity
Another little girl was Sally Joy
The other was me, and I'm a boy
My name is Bill and I'm a headcase
They practice making up on my face
Yeah, I feel lucky if I get trousers to wear
Spend ages taking hairpins from my hair
Chorus 1
I'm a boy, I'm a boy
But my ma won't admit it
I'm a boy, I'm a boy
But if I say I am I get it
Help me wash up, Jean Marie
You can dry, Felicity
Stack the dishes, Sally Joy
Behind those scrubbed floors, I'm a boy
Chorus 1
Put your frock on Jean Marie
Plait your hair Felicity
Paint your nails, little Sally Joy
Put this wig on, little boy
Chorus 1
I wanna play cricket on the green
Ride my bike across the street
Cut myself and see my blood
I wanna come home all covered in mud
Chorus 2
I'm a boy, I'm a boy
But my ma won't admit it
I'm a boy, I'm a boy, I'm a boy
I'm a boy, I'm a boy, I'm a boy, I'm a boy
I'm a boy, I'm a boy, I'm__ a__ boy__
umm, practically everything by the Rolling Stones comes to mind
Yeah, but I hate the Stones, so they don't fit my qualifications for this thread.
okay, just have to fess up that the stones are the ultimate guilty pleasure --- the wow usually exceeds the ewww.... but when the ewww factor reaches a certain point, it becomes all caps EWWW
I could post a giant list. I have a very very large collection of music, a lot of it from the metal/hard rock genre.Most of it filled with bad lyrics. Post rock on the other hand...simply gorgeous music and amazing lyrics.
For me I would say Kid Rock. I really like his country stuff but hello? Look at the lyrics for his newest single "So Hott"
You got a body like the devil and you smell like sex
I can tell you're trouble but I'm still obsessed
Because you know you're
SO HOT I wanna get you alone
SO HOT I wanna get you stoned
SO HOT I dont wanna be your friend
I wanna xxxx you like I'm never gonna see you again
Yeaa
Come on
Yea
You're like the kiss of death, like the hand of faith
I can tell you're trouble but I still wanna taste
Because you know you're
SO HOT I wanna get you alone
SO HOT I wanna get you stoned
SO HOT I dont wanna be your friend
I wanna xxxx you like I'm never gonna see you again
Because you know you're
SO HOT I wanna get you alone
SO HOT I wanna get you stoned
SO HOT I dont wanna be your friend
I wanna xxxx you like I'm never gonna see you again
You're So Hot, I wanna get you alone
I wanna get you stoned
I dont wanna be your friend
I wanna xxxx you like I'm never gonna seeyou again
See you again
See you again
Probably every artist has lyrics in their collection of songs that will offend someone. Bob Dylan's lyrics to Lay Lady Lay (1969) included this: "Stay, lady, stay, stay with your man awhile ..."
I don't recall any opposition to the lyrics at the time, but it'd probably raise hackles today.
ETA: I was in my first year of college when Dylan released this song, and recall it being played over and over again ad nauseum on the cafeteria juke box, along with the Supreme's Love Child.
ETA: everytime I heard Dylan sing this lyric ("stay with your man awhile ...") I flashed back to Tammy Wynette singing "Stand By Your Man". Talk about ewwwwww!!!
Then there's Bob's 1983 Sweetheart Like You (excerpt):
You know, a woman like you should be at home,
That's where you belong,
Watching out for someone who loves you true
Who would never do you wrong.
Can't say that I love Ted Nugent, but I will say I really like a lot of his guitar hooks. Unfortunately, Ted thinks a guitar hook is the whole song, so what starts off exciting and full of promise ends up being boring, quickly.
Have to say, though, that I love the slow grind guitar work in Nugent's "Stranglehold". Unfortunately, even by blues or rock standards, the lyrics are extraordinarily mysogynistic. So much so, it's unlistenable.
Similarly, the Ramones "Glad to See You Go" lyrically busts the envelope. I was a bit less offended, years ago, when I thought the Ramones were playing a character. I mean, to some extent all these artists are, but when I saw the documentary on my beloved Ramones, I realized many of the songs were probably not as tongue in cheek as I thought they were.
I guess I should be offended by Elton Motello's version of "Jet Boy Jet Girl". But for some reason I'm not. Ooo whooo hooo hooo.
A lot of people used to get offended by Alice Cooper, but it's more than clear that "Alice" was a character, and the music was delliberately campy and not to be taken too seriously.
We go dancing nightly in the attic
While the moon is rising in the sky.
If I'm too rough tell me I'm so scared
Your little head will come off in my hands....
Oh yeah, that's from memory. And I love it. Still.
Fat Bottomed Girls by Queen. I ain't going to post the lyrics or the link here.
The original final verse to "Union Maid" was rather messed up, but otherwise it's a good classic union song. Every time I've heard it I've heard either alternate lyrics or just skipping this verse:
You gals who want to be free, just take a tip from me;
Get you a man who's a union man and join the ladies' auxiliary.
Married life ain't hard when you got a union card,
A union man has a happy life when he's got a union wife.
"Your man" or "your woman" is kinda standard fare in country music. I must say I didn't find "Lay, lady, lay" sexist, especially compared to other songs by Dylan, from "Maggie's Farm" to "Beyond here Lies Nuthin'".
Well, it's always reminded me of the Tammy Wynette song.
We had a masquerade night or something at a church camp where I was a counsellor when I was 16. I went as Alice Cooper. The minister mentioned to me how perverted or creepy Alice was. My reply was that The Coop was just a showbiz character and not to be taken seriously.
The other day Mme. Qa'bong was making chocolate mint ice cream, which got me a-singing Cold Ethyl.
"One thing
No lie
Ethyl's frigid as an eskimo pie"
I've never found Vinny Furnier offensive, just funny. His support of the Republicans is sorta offensive, though.
On the other hand, that Li'l Bobby Zimmerman guy is really offensive. "Lay Lady Lay?" What was he thinking? Anyone could tell him that the lyrics ought to have been "Lie lady lie, lie upon my big brass bed."
In late March, Deborah Finding wrote an Op-Ed for The Guardian entitled "Why do we tolerate misogyny in music?"
Since then, Aurélien Cotentin, the French singer whose heinous songs she discusses, has been taken off the program of one or two summer music festivals in France, under pressure from women incensed at his advocacy of extreme sexist violence.
And some other singers - such as Cali, a militant Father-Rightist - are now defending Cotentin and misogyny in the name of freedom of expression, dedicating concerts to him, boycotting venues that keep him out, etc.
Maybe Cotentin ought to listen to them: he recently announced his intention of suing for defamation the people that leaflet his concerts...
al-Qa'bong:
To be fair, in my original post on "Lay Lady Lay" I said: I don't recall any opposition to the lyrics at the time, but it'd probably raise hackles today.
KISS - Nothing to Lose
Before I had a baby, I didn't care anyway / I thought about the back door, I didn't know what to say-ay-ay.
But once I had a baby, I tried every way / She didn't want to do it, but she did anyway-ay-ay
Oh baby please don't refuse - you know you've got nothing to lose! You've got nothing to lose... (etc.)
Elton John - Jamaica Jerk-off
I won't even bother posting the lyrics. They're racist as all get out, and people can google them if they don't know the song.
Not many people love both KISS and Elton John.
I've never listened to KISS, and the only John song I've ever heard is "Someone saved my life tonight". Is KISS actually a real band, or are they just miming to recorded music?
Nobody's yet mentioned Bob Dylan's racist song
Good of you to mention that one, M'Lud. I kinda liked Li'l Bobby Zimmerman until I heard Infidels. I remember listening to that cassette in the tractor while summerfallowing, way back in the mid-80s.
Rush, The Trees
There is trouble with the trees,
For the maples want more sunlight
And the oaks ignore their pleas.
The trouble with the maples,
(And they're quite convinced they're right)
They say the oaks are just too lofty
And they grab up all the light.
But the oaks can't help their feelings
If they like the way they're made.
And they wonder why the maples
Can't be happy in their shade.
There was trouble in the forest,
And the creatures all have fled,
As the maples scream "Oppression!"
And the oaks just shake their heads
So the maples formed a union
And demanded equal rights.
"The oaks are just too greedy;
We will make them give us light."
Now there's no more oak oppression,
For they passed a noble law,
And the trees are all kept equal
By hatchet, axe, and saw.
Warren Zevon - Werewolves of London
"Little old lady got mutilated late last night" - say that three times quickly!
Infidels is one of about three or four Dylan albums I never play. He can be downright disappointing, one reason I try to avoid Bob's shittier albums when possible - I like to remember Bob Dylan as he was in the 1960s.
I like both Kiss and Elton John. Ms. C hates the former. They are playing in Halifax next Saturday. Paul McCartney packed in 50 000 this Saturday. Be interesting to see Kiss' numbers.
I was born in 1983, so Nirvana was pretty much that coming-of-age band that was always there. As much as I love them, it's hard not to cringe at a song called Rape Me, with lyrics like:
Hate me
Do it and do it again
Waste me
Rape me my friend
Oh, I also forgot about Island Girl by Elton John, too - another blatantly racist song.
An interesting blog post about both songs.
And there are other songs on his Goodbye Yellow Brick Road album that are offensive in other ways. Lots of sexist and classist lyrics.
Strangely enough, I grew up loving that album, not realizing how sexist, racist, and classist they were. (Of course, it didn't help that with Elton John, you can't UNDERSTAND half the lyrics because he doesn't articulate well.) So now, I find myself in the weird state of wanting to love the songs, and still loving the musical "hooks" in them, but being offended by the lyrics at the same time.
I've mentioned before that I've had a severe hearing disability since birth, so in many cases the lyrics are lost on me - I simply enjoy music for the music, not the lyrics, for the most part. In the 1960s various artists began including the lyrics to their songs in their albums, which I found very helpful, as now I could sing along where previously I never could, because I simply didn't hear any of the lyrics (except by folk who enunciated their words very carefully, like Gordon Lightfoot, Murray McLauchlan, Elvis Presley, Tim Hardin, Bobby Darin, Perry Como, Tony Bennett, Nat King Cole, and others). Generally, for a very long time until I could hunt down their lyrics by purchasing their music catalog, I never understood rock 'n roll lyrics - but I loved the music, especially long instrumentals like for instance "Spoonful" and "Toad" by Cream in their live albums.
ETA: When I was a little kid, I used to get one of my older brothers to write ut the lyrics to several songs I loved hearing but could not make the lyrics out. Trust me, being hearing impaired is a major bummer, man.
Yikes! I was reading that Chris Hedges article on Michael Jackson, thinking how I don't relate to the culture being described there. When I got to the part about Jackson being the epitome of that culture, I thought, "That's about right, and I pretty well X'ed myself out of contemporary culture around 1984, at about the time that Thriller was popular, which is maybe why I don't feel as if I'm part of any of this."
I was going to mention Island Girl, but Elton John is as boring as Michael Jackson, so I didn't bother.
I love the Sex Pistols, but find Bodies rather unpleasant.
I once helped my lesbian buddy vandalise a Beanie-Boy cd that she found offensive.
I find the use of songs I like in commercials offensive. Recently I've heard the Clash's "Pressure Drop," "Low Rider" by War, and Debussy's "Clair de Lune" being violated by admen.
The Beatles - Run For Your Life
Just from reading the thread title on TAT, that's the song that came to mind. Positively dreadful. And just think, they could have closed out Rubber Soul with Day Tripper (recorded at the same time but released as a single only).
In the same vein is Neil Young's Down by the River, but unlike Run for Your Life, the music in that song has merit.
Billy Joel - She's Always A Woman To Me
Sexist lyrics, beautiful tune, and I really like his other stuff.
I was born in 1983, so Nirvana was pretty much that coming-of-age band that was always there. As much as I love them, it's hard not to cringe at a song called Rape Me, with lyrics like:
Hate me
Do it and do it again
Waste me
Rape me my friend
Cobain made it quite clear in interviews that the song was intended to be in sympathy with rape victims and was not actually advocating rape. If someone were to take offence at any Nirvana song, I would think it would be "Polly".
Polly wants a cracker
I think I should get off her first
She said she wants some water
To put out the blowtorch
Yeah, even at the time it was released, the lyrics were cringeworthy.
Sexist lyrics, beautiful tune, and I really like his other stuff.
Joel has said that the song was intended to draw attention to the sexist double standard that women face i.e. not to embrace that standard but to condemn it. Then again, his songs with a social message have always been a little brutal and lacking sublety or deep meaning (i.e. We Didn't Start the Fire).
Oh...that's interesting. I didn't know that. Well, I'm glad I've always liked that song despite the sexism in it, then. Cognitive dissonance resolved! :)
I was born in 1983, so Nirvana was pretty much that coming-of-age band that was always there. As much as I love them, it's hard not to cringe at a song called Rape Me, with lyrics like:
Hate me
Do it and do it again
Waste me
Rape me my friend
Cobain made it quite clear in interviews that the song was intended to be in sympathy with rape victims and was not actually advocating rape. If someone were to take offence at any Nirvana song, I would think it would be "Polly".
Polly wants a cracker
I think I should get off her first
She said she wants some water
To put out the blowtorch
Hm. That's very interesting. I didn't know that.
I'm a fan of Morcheeba, but whenever I hear Women Lose Weight I cringe a bit. It's sort of glib and probably a parody, but there's lots of other stuff to make fun of in the world.
For the unfamiliar, it's not just about women losing weight, it's about a guy killing his wife.
Warren Zevon - Werewolves of London
"Little old lady got mutilated late last night" - say that three times quickly!
I've never really understood the lyrics to Zevon's Exciteable Boy (the self-titled track from that album), but I thought I'd post 'em here. I think that they're more in the vein of dark humour, more than anything, and certainly not advocating the imagery that he created.
He took in the four a.m. show at the Clark
Excitable boy, they all said
And he bit the usherette's leg in the dark
Excitable boy, they all said
Well, he's just an excitable boy
He took little Susie to the Junior Prom
Excitable boy, they all said
and he raped her and killed her, then he took her home
Excitable boy, they all said
Well, he's just an excitable boy
After ten long years they let him out of the Home
Excitable boy, they all said
And he dug up her grave and built a cage with her bones
Excitable boy, they all said
Well, he's just an excitable boy
If anything, Papal Bull, that sounds to me like he's writing about how people don't take mental illness as seriously as they should.
Oddly enough, I own hundreds of albums, and I figured I'd have a really easy time coming up with a few artists I enjoy who have written songs with racially or sexually problematic lyrics, but it's actually pretty difficult to do. There's some borderline stuff, like a line in the latest Interpol album that says "Women, you have no self control", but nothing that lasts for a whole song. That being said, pretty much all of the hip-hop that I listen to has something objectionable in it, even from artists whose lyrics are normally quite positive like Talib Kweli. It's unfortunate that even "conscious" hip-hop seems to pretty much always go off the rails at some point.
Excitable Boy has a similar message to that of Only a Lad by Oingo Boingo: that people make excuses for violent youths and blame society instead of the person committing the crimes.
Johnny was bad, even as a child everybody could tell
Are there any Tom Jones fans out there? She's a Lady Well she's all you'd ever want,Everyone said if you don't get straight
You'll surely go to hell
But Johnny didn't care
He was an outlaw by the time that he was
Ten years old
He didn't wanna do what he was told
Just a prankster, juvenile gangster
His teachers didn't understand
They kicked him out of school
At a tender early age
Just because he didn't want to learn things
(Had other interests)
He liked to burn things
The lady down the block
She had a radio that Johnny wanted oh so bad
So he took it the first chance he had
Then he shot her in the leg
And this is what she said
Only a lad
You really can't blame him
Only a lad
Society made him
Only a lad
He's our responsibility
Only a lad
He really couldn't help it
Only a lad
He didn't want to do it
Only a lad
He's underprivileged and abused
Perhaps a little bit confused
His parents gave up they couldn't influence his attitude
Nobody could help
The little man had no gratitude
And when he stole the care
Nobody dreamed that he would
Try to take it so far
He didn't mean to hit the poor man
Who had to go and die
It made the judge cry
Only a lad
He really couldn't help it
Only a lad
He didn't want to do it
Only a lad
He's underprivileged and abused
Perhaps a little bit confused
It's not his fault that he can't believe
It's not his fault that he can't behave
Society made him go astray
Perhaps if we're nice he'll go away
Perhaps he'll go away
He'll go away
(Repeat chorus)
Hey there Johnny you really don't fool me
You get away with murder
And you think it's funny
You don't give a damn if we live or if we die
Hey there Johnny boy
I hope you fry!
She's the kind they'd like to flaunt and take to dinner.
Well she always knows her place.
She's got style, she's got grace, She's a winner.
She's a Lady. Whoa whoa whoa, She's a Lady.
Talkin' about that little lady, and the lady is mine.
Well she's never in the way
Always something nice to say, Oh what a blessing.
I can leave her on her own
Knowing she's okay alone, and there's no messing.
She's a lady. Whoa, whoa, whoa. She's a lady.
Talkin' about that little lady, and the lady is mine.
Well she never asks for very much and I don't refuse her.
Always treat her with respect, I never would abuse her.
What she's got is hard to find, and I don't want to lose her
Help me build a mountain from my little pile of clay. Hey, hey, hey.
Well she knows what I'm about,
She can take what I dish out, and that's not easy,
Well she knows me through and through,
She knows just what to do, and how to please me.
She's a lady. Whoa, whoa, whoa. She's a lady.
Talkin' about that little lady and the lady is mine.
Yeah yeah yeah She's a Lady
Listen to me baby, She's a Lady
Whoa whoa whoa, She's a Lady
And the Lady is mine
Yeah yeah yeah She's a Lady
Talkin about this little lady
Whoa whoa whoa whoa
Whoa and the lady is mine
Yeah yeah She's a Lady
And the Lady is mine.
On the other hand, that Li'l Bobby Zimmerman guy is really offensive.
A hewve godda loyda noive.....
I love the Sex Pistols, but find Bodies rather unpleasant.
Funny you should say. I remember when I first heard "Never Mind the Bollocks" I loved that song. I think because I was a teen and the lyrics being so far removed from my experience they didn't bother me back then. Just there for shock value, not in any way possibly real.
But, you grow up, get some experience, and become the age of the people who were supposed to be offended by those lyrics, and surprise surprise, they're offensive.
Teenage Head: Lucy Potato ("she's that girl that I gotta rape, she's that girl that I wanna date")
Yeah, I didn't want to get into Teenage Head, I used to love that band years ago, and a few years back I finally stumbled upon a CD to replace my vinyl. But, hey. If you have a daughter with epilepsy, suddenly the lyrics aren't campy anymore. And "Lucy Potato" was always problematic, even more so if you had a friend that was groped by Frankie. I don't think Frankie Venom was playing a character.
I didn't know Frankie personally but several of my friends did and I heard many amazing and scary tales. He was, as one of my buds would say, "complex and difficult to love". I saw TH many times always but sat out Lucy Potato too.
Some anti-Asian sentiment from The Guess Who, on "Running Back to Saskatoon":
This tune is home grown / Don't come from Hong Kong
What? Hong Kong is far away. What else are you reading into the lyric?
You should try out "Chinese Mule Train" by Spike Jones or "Hong Kong Blues" by Hoagy Carmichael.
"American Woman" by the Guess Who used to just grate on my nerves because radio stations played it over and over and over and over.... probably the most annoying song ever.
I have a soft spot for the beastie boys but many of their songs pre-1998 or so are remarkably offensive/sexist. However, in a display of maturity, they now refuse to play many of them, though radio stations don't.
There is also a lot of 'progressive' hip hop which clings to sexist language when calling out/insulting men. The sort of songs which may be talking about social oppression and yet use oppressive language to do so. Jurassic 5, Soul Position, and a few others come to mind.
Love love love Alice Cooper's tunes.
triciamarie, so glad you posted the lyrics to that song. I thought I was the only one who saw that as a pro-capitalist "down with the little guy" song.
Yeah, listening to Rush's lyrics is a lot like reading Ayn Rand for Canadians.
Rush is one of my dirty secrets. I love the music.
Here is what I am ashamed of: Johnny Ramone. I love the Ramones, always have and always will, but Johnny was one Republican-loving, "God Bless the USA and President Bush", commie-hating, cold-hearted, angry, a-hole. Joey on the other hand was a great human being. Thank God Johnny never wrote anything for the Ramones, he just played guitar and let Joey and Dee Dee do all the writing. I would hate to hear Johnny's propagandistic lyrics; think of Ted Nugent but angrier and surrounded by left-wingers that constantly stoked his hatreds
I am not really ashamed of anything I listen to, not that what I listen to is always ethically perfect and unquestionable but I understand that artistic freedom is a major issue in democratic countries and it needs to be protected even against things that we find unintelligent. Obviously there are limits (promoting hate-speech) but I am pretty sure that none of us are listening to National Socialist Black Metal (NSBM) and/or neo-nazi skinhead punk rock and if we are then we should check our heads. But I tend not to blame artists for creating and stoking racism and sexism, those things were around long before pop-music and they are more institutionalized in our governance systems than in our music.
Just saying is all, keep on talking
But to be fair: anything by Ol' Dirty Bastard is right up there and yes I listen to Mr. Dirt McGirt on a regular basis. Now you may hate away.
lol.
"If any civilization is to survive, it is the morality of altruism that men have to reject.", Ayn Rand
So what's BTO?
Boring & Trite Offrenders??? Seriously, can't stand his vocals.
Yeah, listening to Rush's lyrics is a lot like reading Ayn Rand for Canadians.
Rush's members have been quite open about being disciples of Ayn Rand.
Are there any Tom Jones fans out there? .I saw the light on the night that I passed by her window
I saw the flickering shadows of love on her blind
She was my woman
As she deceived me I watched and went out of my mind
My, my, my, delilah
Why, why, why, delilah
I could see that girl was no good for me
But I was lost like a slave that no man could free
At break of day when that man drove away, I was waiting
I cross the street to her house and she opened the door
She stood there laughing
I felt the knife in my hand and she laughed no more
My, my, my delilah
Why, why, why delilah
So before they come to break down the door
Forgive me delilah I just couldnt take any more
If that song was a new release now, it wouldn't be UNDERWEAR they'd be throwing at the guy.
Well geez, if we're going to go there, how about Miss Otis Regrets or Frankie and Johnny?
This isn't offensive, but another tune I like even though it's about an unpleasant subject:
You can 'rest everybody but cruel Stack O' Lee
That bad man, oh, cruel Stack O' Lee
Billy de Lyon told Stack O' Lee, "Please don't take my life,
I got two little babies, and a darlin' lovin' wife"
That bad man, oh, cruel Stack O' Lee
"What I care about you little babies, your darlin' lovin' wife?
You done stole my Stetson hat, I'm bound to take your life"
That bad man, cruel Stack O' Lee
...with the forty-four
When I spied Billy de Lyon, he was lyin' down on the floor
That bad man, oh cruel Stack O' Lee
"Gentleman's of the jury, what do you think of that?
Stack O' Lee killed Billy de Lyon about a five-dollar Stetson hat"
That bad man, oh, cruel Stack O' Lee
And all they gathered, hands way up high,
at twelve o'clock they killed him, they's all glad to see him die
That bad man, oh, cruel Stack O' Lee
Mississippi John Hurt 1928
Not sure whether I find it offensive or just, well, icky...but Don McLean's "Castles In The Air" always kind of creeped me out:
And if she asks you why,
you can tell her that I told you
That I'm tired of castles in the air.
I've got a dream I want the world to share
And castle walls just lead me to despair.
Hills of forest green where the mountains touch the sky,
A dream come true, I'll live there till I die.
I'm asking you to say my last goodbye.
The love we knew ain't worth another try.
Save me from all the trouble and the pain.
I know I'm weak, but I can't face that girl again.
Tell her the reasons why I can't remain,
Perhaps she'll understand if you tell it to her plain.
But how can words express the feel of sunlight in the morning,
In the hills, away from city strife.
I need a country woman for my wife;
I'm city born, but I love the country life.
For I cannot be part of the cocktail generation:
Partners waltz, devoid of all romance.
The music plays and everyone must dance.
I'm bowing out. I need a second chance.
Save me from all the trouble and the pain.
I know I'm weak, but I can't face that girl again.
Tell her the reasons why I can't remain,
Perhaps she'll understand if you tell it to her plain.
And if she asks you why, you can tell her that I told you
That I'm tired of castles in the air.
I've got a dream I want the world to share
And castle walls just lead me to despair.
I mean, geez Don...asking somebody ELSE to dump your girlfriend for you? And for such smug, judgmental reasons?
Well said. I was listening to California Dreamin' a few days ago and I winced at that classic "If I didn't tell her, I could leave today" line. Wannabe cowardice... how low can you go?
Well, I would agree that sneaking out is bad form (unless it's a safety issue), but it's not in the same realm as songs that deal with violence or murder.
For the record, I've always liked Castles in the Air for it's anti-materialist message.
As for California Dreamin', I once had an argument with someone (who is a Christian) who was convinced that the line was "I got down on my knees and I began to pray" when it's really "I got down on my knees and I pretend to pray". They were absolutely convinced that the song wouldn't make sense if they were wrong, and were offended by the real words.
Well, Castles may indeed be anti-materialist, but McLean sabotages his own intentions there by taking that "you people are all about materialism and I'm so inherently superior to all of you on a deep spiritual level that I barely feel worthy of being in the same room with myself" tone.
And I agree, the song isn't on the same level of ugliness as the others.
"If I Were A Carpenter" is also problematic. On one level, it's got an antimaterialist "I want to live as a traveling artisan, surviving on the purity of my own craftsmanship" message, but GAWWWD it's sexist. It's like Tim Hardin wasn't looking so much for a wife as an unpaid shop assistant. I've been trying to create a non-male supremacist set of alternative lyrics for it.
As for California Dreamin', I once had an argument with someone (who is a Christian) who was convinced that the line was "I got down on my knees and I began to pray" when it's really "I got down on my knees and I pretend to pray". They were absolutely convinced that the song wouldn't make sense if they were wrong, and were offended by the real words.
On a similar note, I once went down to the states and when there I saw a best of Van Morrison for 2$ at a thrift shop. Couldn't say no to that! So, it gets to Brown Eyed Girl. You know the part "making love in the green grass"? It was changed to "laughin and a-runnin' behind the stadium with you". I got pissed and tossed out the CD as I couldn't handle the censorship being so blatent and crude, whoever remastered the tune just took an earlier part of the track and spliced it in.
That was actually the radio edit from when it was first released. It's rare to find collections that include the original version.
At the same time, if he really was "making love in the green grass" with her, you might wonder why he was commenting on how much she had grown. Exactly how old was this brown-eyed girl?
I have always secretly cringed when contemplating that question. EWWW, Van....just EWWW
Of course, that also leads us to Neil Diamond's immortal "Girl, You'll Be A Woman Soon", a song that I used as part of the sound design for a production of the Paula Vogel play "How I Learned To Drive", if anyone here has ever read that or seen a production of it.
Reminds me of the original album cover for Led Zepplin's Houses of the Holy.
Here is what I am ashamed of: Johnny Ramone.
Well, here's a comforting thought. Joey's code name for Johnny was "KKK", and the song "The KKK Took My Baby Away" was about Johnny stealing Joey's girl friend.
Are there any Tom Jones fans out there? .
Actually, if you read the terms and conditions of Babble carefully, being an admitted Tom Jones fan is a bannable offence.
Yes, I definitely knew that "The KKK" was Joey's pet name for Johnny. 'KKK' says all you need to know about Johnny as a person. Here is another tidbit, Joey always insisted on the Ramones playing "The KKK Took My Baby Away" live at most shows. It really is a great song and the subject matter has nothing to do with the KKK it has to do with Johnny being a total goon. Even another tidbit, when Joey was on his deathbed he refused to let Johnny come and see him in the hospital, nuff said.
Or the original cover album art for Blind Faith.
That was actually the radio edit from when it was first released. It's rare to find collections that include the original version.
Ah, well then. Either way I had never heard that radio edit and it angered me immensely.
Simultaneously, regarding the "brown eyed girl"'s age, how old was Van when that song was written. A little personal, but it was a real hoot to see the girl who was my first kiss when I was 14 when we were both 20.
regarding the "brown eyed girl"'s age, how old was Van when that song was written. A little personal, but it was a real hoot to see the girl who was my first kiss when I was 14 when we were both 20.
Well, Van was about 21 or 22 when he wrote and recorded the song. Ironically(if Wikipedia can be trusted on this point)Van claims to never have been paid any royalties at all for "Brown-eyed Girl", due to the incredibly bad contract he signed before recording(a contract that also left Van personally reponsible for paying the costs for the recording session).
I heard Johnny say that he didn't get along with Joey, so he thought it would have been hypocritical of him to go visit Joey on his deathbed. The other day I saw some guy on TV, I don't remember at all who or where, say that DeeDee was a truly reprehensible person.
I've been trying to think of a song that I find offensive, even among artists I don't like, but can't come up with anything. I'm often annoyed, but seldom take offense at things I hear. This got me thinking about what offends us. I then thought of Ann Coulter, but she doesn't offend me, I just find her amusingly disgusting.
That got me thinking about how frequently people on babble and EnMasse (my sole points of reference) claim that something offends them. It seems to me that one's ability to be offended is somehow a sign of one's "progressiveness" in these here parts. In other words, the more easily one is offended, the higher one thinks one ranks among the right people.
That was actually the radio edit from when it was first released. It's rare to find collections that include the original version.
At the same time, if he really was "making love in the green grass" with her, you might wonder why he was commenting on how much she had grown. Exactly how old was this brown-eyed girl?
I always thought that meant "grown" outwards, as in pregnant.
My P.C's in the shop, but I happen to have access to one and thought this was a very interesting thread so in loo of working for a minute here's my take:
This is always a bit of a conundrum.... Sometimes artists intentionally provoke (as some have mentioned with the Nirvana song "rape me") for thought. Many a progressive musician (or any artist for that matter) might also write /create "in character"... Immediately springing to mind (in the 70's) would be progressive folkie fav Phil Ochs (try "Love me I'm a Liberal") or another being Randy Newman (who was pilloried for writing "short people" back in the day -he's only, like 5'3 BTW- or try "yellow man") for example.
Sometimes the subtle attempt to be provocative -in order to make people think- might be misconstrued as offensive, which might in fact be exactly the point... Neil Young's "a man needs a maid" from Harvest might fit in that category. That said I am a fan of all kinds of music and artists and occasionally some my faves have more then a few that truly ARE cringe worthy....Hell I love (old) ACDC - hardly a bastion of political correctness. The same could be said of another major form of social commentary - Comedy & Satire.
I am also a huge fan of the Blues.... And I could just about say every other blues tune out there from the greats like Muddy Waters, Albert King etc, is often sexist. (also many old blues songs sing about "chicken" - If you have knowledge about what that slang represents in a blues context you know what I'm talking about). I guess you have to take in the context, the artist, time period etc.
My 2 cents anyhow.
(P.S I been meaning to make a Canadian version of "Love me I'm a Liberal" (as in LPC) for years... might just get around to it
)
Artist: Ochs Phil
Song: Love Me, I'm a Liberal
I cried when they shot Medgar Evers
Tears ran down my spine
I cried when they shot Mr. Kennedy
As though I'd lost a father of mine
But Malcolm X got what was coming
He got what he asked for this time
So love me, love me, love me, I'm a liberal
I go to civil rights rallies
And I put down the old D.A.R.
I love Harry and Sidney and Sammy
I hope every colored boy becomes a star
But don't talk about revolution
That's going a little bit too far
So love me, love me, love me, I'm a liberal
I cheered when Humphrey was chosen
My faith in the system restored
I'm glad the commies were thrown out
of the A.F.L. C.I.O. board
I love Puerto Ricans and Negros
as long as they don't move next door
So love me, love me, love me, I'm a liberal
The people of old Mississippi
Should all hang their heads in shame
I can't understand how their minds work
What's the matter don't they watch Les Crain?
But if you ask me to bus my children
I hope the cops take down your name
So love me, love me, love me, I'm a liberal
I read New republic and Nation
I've learned to take every view
You know, I've memorized Lerner and Golden
I feel like I'm almost a Jew
But when it comes to times like Korea
There's no one more red, white and blue
So love me, love me, love me, I'm a liberal
I vote for the democratic party
They want the U.N. to be strong
I go to all the Pete Seeger concerts
He sure gets me singing those songs
I'll send all the money you ask for
But don't ask me to come on along
So love me, love me, love me, I'm a liberal
Once I was young and impulsive
I wore every conceivable pin
Even went to the socialist meetings
Learned all the old union hymns
But I've grown older and wiser
And that's why I'm turning you in
So love me, love me, love me, I'm a liberal
Here's Lizzie Miles, objectifying her man while praising the military:
My Man O' War
I'm somehow not offended.
Here are the lyrics to Ethel Waters' "My Handy Man." Boy, talk about your sexist stereotyping!
Whoever said a good man was hard to find,
Postively, absolutely sure was blind;
I found the best that ever was,
Here's just some of the things he does:
He shakes my ashes, greases my griddle,
Churns my butter, strokes my fiddle;
My man is such a handy man!
He threads my needle, creams my wheat,
Heats my heater, chops my meat;
My man is such a handy man!
Don't care if you believe or not,
He sure is good to have around;
Why, when my furnace gets too hot,
He's right there to turn my damper down!
For everything he's got a scheme;
You ought to see his new starter that he uses on my machine;
My man is such a handy man!
He flaps my flapjacks, cleans off the table, He feeds the horses in my stable; My man is such a handy man!
He's God's gift!
Sometimes he's up long before dawn,
Busy trimming the rough edges off my lawn;
Oooh, you can't get away from it! He's such a handy man!
Never has a single thing to say,
While he's working hard;
I wish that you could see the way
He handles my front yard!
My ice don't get a chance to melt away,
He sees that I get that old fresh piece every day;
Lord, that man sure is such a handy man!
Al-Q'abong: That got me thinking about how frequently people on babble and EnMasse (my sole points of reference) claim that something offends them. It seems to me that one's ability to be offended is somehow a sign of one's "progressiveness" in these here parts. In other words, the more easily one is offended, the higher one thinks one ranks among the right people.
I agree. And actually, I think many are not even offended; they'll just as soon call something offensive, alleging that some people must (or should) be offended. It sounds manipulative to me. Indeed, 75% of what we do offends conservative, patriarchal, capitalist values if we are any good at it, so please don't suggest that offending no one is a positive criterion. Maybe this very good thread title ought to have read "sexist/racist/oppressive" instead of "offensive"...
However, I completely disagree that "My Handy Man" is sexist stereotyping. Indeed it runs conter to the stereotype that women are not supposed to say these things or get that kind of attention and praise it.
I am also a huge fan of the Blues.... And I could just about say every other blues tune out there from the greats like Muddy Waters, Albert King etc, is often sexist. (also many old blues songs sing about "chicken" - If you have knowledge about what that slang represents in a blues context you know what I'm talking about).
Most historical blues songs would "offend" most progressives who are inclined to be offended by such things. But, to listen to those old blues recordings is to listen to some of the most authenic music ever made (as opposed to much of the modern -- and superficial -- music listened to today).
_______________________________________
Eleutherophobics of the World...Unite!!!
Can't say I dislike it...I love it actually, but some white folk will find it offensive.
KRS-One Ah Yeah
Ah yeah, that's whatcha say when you see a devil down
Ah yeah, that's whatcha say when you take the devil's crown
Ah yeah, stay alive all things will change around
Ah yeah, what? Ah yeah!
So here I go kickin science in ninety-five
I be illin, parental discretion is advised still
dont call me n***a, this MC goes for his
Call me God, cause that's what the black man is
Roamin through the forest as the hardest lyrical artist
Black women you are not a b***h you're a Goddess
Let it be known, you can lean on KRS-One
Like a wall cause I'm hard, I represent GOD
Wack MC's have only one style: gun buck
But when you say, Let's buck for revolution
They shut the f**k up, kid, get with it
Down to start a riot in a minute
You'll hear so many Bowe-Bowe-Bowe, you think I'm Riddick
While other MC's are talkin bout up with hope down with dope
I'll have a devil in my infrared scope, WOY!
That's for calling my father a boy and, KLAK KLAK KLAK!
That's for putting scars on my mother's back, BO!
That's for calling my sister a hoe, and for you
BUCK BUCK BUCK, cause I don't give a motherf***
Remember the whip, remember the chant, remember about rope and
you black people still thinkin about vot-ing
Every president we ever had lied
You know I'm kinda glad Nixon died!
This is not the first time I came to the planet
But everytime I come, only a few could understand it
I came as Isis, my words they tried to ban it
I came as Moses, they couldn't follow my commandments
I came as Solomon, to a people that was lost
I came as Jesus, but they nailed me to a cross
I came as Harriet Tubman, I put the truth to Sojourner
Other times, I had to come as Nat Turner
They tried to burn me, lynch me and starve me
So I had to come back as Marcus Garvey, Bob Marley
They tried to harm me, I used to be Malcolm X
Now I'm on the planet as the one called KRS
Kickin the metaphysical, spiritual, tryin to like
get wit you, showin you, you are invincible
The Black Panther is the black answer for real
In my spiritual form, I turn into Bobby Seale
On the wheels of steel, my spirit flies away
and enters into Kwame Ture
In the streets there is no EQ, no di-do-di-do-di-do
So I grab the air and speak through the code
the devil cannot see through as I unload
into another cerebellum
Then I can tell em, because my vibes go through denim
and leather whatever, however, I'm still rockin
We used to pick cotton, now we pick up cotton when we shoppin
Have you forgotten why we buildin in a cypher
Yo hear me kid, government is building in a pyramid
The son of God is brighter than the son of man
The spirit is, check your dollar bill G, here it is
We got no time for fancy mathematics
Your mental frequency frequently pickin up static
Makin you a naked body, attic and it's democratic
They press auto, and you kill it with an automatic
Man, you've gotta learn to lighten up.
Why would white folks find KRS-One offensive? Many years ago I asked a guy to make me a tape of some good rap music, since I had no idea about rap and wanted to see what all the fuss was about. He chose a KRS-One cd. I think it was called "Infotainment" or something. I listened to it a few times. It was OK, but didn't light any fires. I haven't listened to it in over ten years, and know even less about rap now than I did then. There's a guy called MC Solaar who made a cd that I listened to quite a bit, but that was quite a while ago too.
Rush, The Trees
There is trouble with the trees,
For the maples want more sunlight
And the oaks ignore their pleas.
(etc etc)
So the maples formed a union
And demanded equal rights.
"The oaks are just too greedy;
We will make them give us light."
Now there's no more oak oppression,
For they passed a noble law,
And the trees are all kept equal
By hatchet, axe, and saw.
I like some Rush but yeah; they went through an Objectivist phase.
"And though his mind is not for rent / Don't put him down as arrogant...."
Edited to add - read the rest of the thread, and other folks already pointed that out (are they still objectivists? I thought they came to their senses.)
Now there's no more oak oppression,
For they passed a noble law,
And the trees are all kept equal
By hatchet, axe, and saw.
Re: Rush's "The Trees": Again, could it not be that Neil Peart (the lyricist for Rush) might be simply making an ironically true statement? To contrast - could it not be interpreted like the "black/white Cats" comment from "Mouseland"? Just more food for thought.
Nope. Peart is making a comment on how lefties use force to prevent the strong and talented from rising to their natural heights.
Almost everything by Eminem, who, as I've said in another thread, could be so cool if he would direct his anger at worthwhile subjects.
DOA: Rich Bitch and Let's Fuck, and probably some others I'm not thinking of. I'm guessing they either don't play those songs anymore, or they've changed the lyrics.
Dead Kennedys' Too Drunk to Fuck
What about short people by Randy Newman(guy who sung most of the songs in toy story)?
He was being ironic.
Transvestite by Peter and the Test Tube Babies is rather icky.
My P.C's in the shop, but I happen to have access to one and thought this was a very interesting thread so in loo of working for a minute here's my take:
This is always a bit of a conundrum.... Sometimes artists intentionally provoke (as some have mentioned with the Nirvana song "rape me") for thought. Many a progressive musician (or any artist for that matter) might also write /create "in character"... Immediately springing to mind (in the 70's) would be progressive folkie fav Phil Ochs (try "Love me I'm a Liberal") or another being Randy Newman (who was pilloried for writing "short people" back in the day -he's only, like 5'3 BTW- or try "yellow man") for example.
Sometimes the subtle attempt to be provocative -in order to make people think- might be misconstrued as offensive, which might in fact be exactly the point... Neil Young's "a man needs a maid" from Harvest might fit in that category. That said I am a fan of all kinds of music and artists and occasionally some my faves have more then a few that truly ARE cringe worthy....Hell I love (old) ACDC - hardly a bastion of political correctness. The same could be said of another major form of social commentary - Comedy & Satire.
I am also a huge fan of the Blues.... And I could just about say every other blues tune out there from the greats like Muddy Waters, Albert King etc, is often sexist. (also many old blues songs sing about "chicken" - If you have knowledge about what that slang represents in a blues context you know what I'm talking about). I guess you have to take in the context, the artist, time period etc.
My 2 cents anyhow.
(P.S I been meaning to make a Canadian version of "Love me I'm a Liberal" (as in LPC) for years... might just get around to it
)
Artist: Ochs Phil
Song: Love Me, I'm a Liberal
I cried when they shot Medgar Evers
Tears ran down my spine
I cried when they shot Mr. Kennedy
As though I'd lost a father of mine
But Malcolm X got what was coming
He got what he asked for this time
So love me, love me, love me, I'm a liberal
I go to civil rights rallies
And I put down the old D.A.R.
I love Harry and Sidney and Sammy
I hope every colored boy becomes a star
But don't talk about revolution
That's going a little bit too far
So love me, love me, love me, I'm a liberal
I cheered when Humphrey was chosen
My faith in the system restored
I'm glad the commies were thrown out
of the A.F.L. C.I.O. board
I love Puerto Ricans and Negros
as long as they don't move next door
So love me, love me, love me, I'm a liberal
The people of old Mississippi
Should all hang their heads in shame
I can't understand how their minds work
What's the matter don't they watch Les Crain?
But if you ask me to bus my children
I hope the cops take down your name
So love me, love me, love me, I'm a liberal
I read New republic and Nation
I've learned to take every view
You know, I've memorized Lerner and Golden
I feel like I'm almost a Jew
But when it comes to times like Korea
There's no one more red, white and blue
So love me, love me, love me, I'm a liberal
I vote for the democratic party
They want the U.N. to be strong
I go to all the Pete Seeger concerts
He sure gets me singing those songs
I'll send all the money you ask for
But don't ask me to come on along
So love me, love me, love me, I'm a liberal
Once I was young and impulsive
I wore every conceivable pin
Even went to the socialist meetings
Learned all the old union hymns
But I've grown older and wiser
And that's why I'm turning you in
So love me, love me, love me, I'm a liberal
Uh, Phil wasn't actuall ENDORSING the offensive views expressed in those lyrics(although you might have had a stronger point had you included his homophobic adlib aimed at the DAR, which can be heard on Phil's live album). Phil was attacking establishment liberals on many ways that there liberalism wasn't really all that "liberal"(such as the unpleasant habit of some wealthy Democratic politicians in the U.S. to support school segregation and then send their OWN kids to all-white private schools, a habit race-baiting Republicans like Nixon and Reagan and their minions later incorporated as an element in the "limousine liberal" stereotype. It was the old idea of using the ugliness to nail the ugly-an idea that went back to Jonathan Swift and Mark Twain, and one Phil used in other, darker songs like "I Kill Therefore I Am" and "Pretty Smart On My Part", songs whose lyrics probably can't be quoted in full on Babble.)
I only so-so on Guns and Roses. I've always thought the song "One In a Million" was being ironic and provocative, but I don't think most others do. It's so over the top, how can it not be?
They come to our country, think they'll do as the please
Like start some mini-Iran, or spread some fucking disease
They talk so many God-damn ways, it's all Greek to me.
(looking up the lyrics to that, I discover that Miley Cyrus has a song by the same name. Made me imagine her singing the GnR lyrics
)
RE Phil Ochs,
Ken, that was EXACTLY MY POINT.
(same for Randy Newman)
ETA: Ochs "outside a small circle of friends" hits home the same way.
Thanks for the clarification, mojo.
An interesting fact about "Outside Of A Small Circle Of Friends", is that it may have been the only Sixties protest song that was written in response to a gaybashing.
The first verse:
Look outside the window, there's a woman being grabbed
They've dragged her to the bushes and now she's being stabbed.
Maybe we should call the cops and try to stop the pain,
But Monopoly is so much fun I'd hate to blow the game.
Was inspired by(and was pretty much a direct retelling of) the murder of Kitty Genovese, a young barmaid who lived in Greenwich Village. Twenty people heard her being attacked and heard her screaming for help and NONE of them called the police. When questioned about it later, they all said something along the lines of "we didn't want to get involved".
A year or so ago, National Public Radio revealed that Kitty Genovese was a lesbian. As Phil was a Village resident, there's a good chance he knew that, and it puts an even darker light on the decision of all those people to do nothing and let Kitty Genovese die.
Interesting. I didn't know that.
Have to say, though, that I love the slow grind guitar work in Nugent's "Stranglehold". Unfortunately, even by blues or rock standards, the lyrics are extraordinarily mysogynistic. So much so, it's unlistenable.
I guess I should be offended by Elton Motello's version of "Jet Boy Jet Girl". But for some reason I'm not. Ooo whooo hooo hooo.
I was listening to Double Live Gonzo last night. I dunno man, but anyone who isn't moved by the sweet sentiment of "You can yank me, you can crank me, but don'tcha wake up and try to thank me" has a heart of stone.
Check out Plastic Bertrand's Ca plane pour moi if you want to hear what Elton Motello ripped off to make Jet Boy, Jet Girl. The music is exactly the same.
Quite the opposite chronology, it seems. If great artists steal, then Plastic Bertrand is a great artist:
Elton Motello is both the moniker of Alan Ward (aka Alan Timms, formerly a member of Bastard along with Damned guitarist Brian James), the lead singer and songwriter, and the name of the band itself.[1]
Ward had toured Belgium with Bastard and through his connections there Motello debuted with the "Jet Boy, Jet Girl" single in 1977 on the Belgian Pinball label, initially backed by session musicians.[2]
While the single made little impact, the song formed the basis for Plastic Bertrand's internationally successful hit "Ça plane pour moi", with Bertand recording new lyrics over the backing track.[1]
[selon Wikipedia]
Well whaddya know?
I suppose this makes sense, since Plastic Bertrand did nothing else worth listening to (and some have argued that Ca plane pour moi isn't worth listening to either).
As to the song mentioned in the OP of this thread, John Lennon said(in the "Lennon Remembers" interview he did right after the Beatles' break up)that he always HATED "Run For Your Life". He said it was something he came up with off the top of his head when the label was pushing for another single. And the song was released in 1965, at a time when the Beatles had almost NO control over the process of making their own records. If it had really been up to John himself, the song would likely never have been written.
And John wrestled with the side of him that inclined towards violence all through his life, as he did in the shockingly confessional bridge he wrote for McCarthey's "Getting Better"
I used to be cruel to my woman
I beat her and kept her apart from the things that she loved
And in his solo song "Jealous Guy":
I didn't mean to hurt you,
I'm sorry that I made you cry.
And in his famous observation about how it was always the most violent people who were for love and peace. John GOT IT that he had those issues and made a significant effort to change on that front.
I doubt we're going to see Eminem or Chris Brown ever get that real with themselves.
Very true Re: Lennon Ken, I was going to mention that myself. Also, although not a Rush aficionado as some are around here (I didn't know about their "objectivist" phase) so I retract what I said. (Though they've "grown" on me the over the years, I only can take them in small doses. Didn't know they were Ayn Rand fans. They were fantastic at the Sars concert though (as was, ahem, AC/DC. Left half way through The Stones who came on right after. the Duet with Justin Timberlake was too much to bear.).
Agree with Sven too re: Blues.
Nope. Peart is making a comment on how lefties use force to prevent the strong and talented from rising to their natural heights.
Hmm, perhaps I should re-listen to all of my highschool stuff again - I was pretty sure this was about Canadian/US relations?
The Bish wrote:
jrose wrote:
I was born in 1983, so Nirvana was pretty much that coming-of-age band that was always there. As much as I love them, it's hard not to cringe at a song called Rape Me, with lyrics like:
Hate me
Do it and do it again
Waste me
Rape me my friend
Cobain made it quite clear in interviews that the song was intended to be in sympathy with rape victims and was not actually advocating rape. If someone were to take offence at any Nirvana song, I would think it would be "Polly".
Polly wants a cracker
I think I should get off her first
She said she wants some water
To put out the blowtorch
Interesting piece on The Sexist about this song.
With regards to the reference to the Sex pistols song Bodies. John(ny) Lydon (rotten) said in an interview (can't recall where or from what) I read while ago that the song was written after he was told of his mother (whom he loved dearly, and wrote the Public Image Limites song Swan Lake in her honour after her death) having a miscarriage and the pain and guilt she felt because of it.
On the topic as a whole I myself would like to parapharse John Denver (when he was testifying at the PMRC) I'm strongly opposed to censorship in our society or anywhere else in the world. To me is art, pure and simple. Art in any form can and will be offensive. Take Piss Christ by andres serrano for instance not only is blatanly offensive it is heretical. I myself am a 24 year old male and have grown up listening to some really "provocative" music to put it mildly. Slayer, the American thrash metal band has always been a favourite of mine because of its guitar riffs and drum breakdowns and pure intensity. The band also has a fixation on the morbid,death of all forms , the occult, and numorous references to Satan himself. Basically alot of subject matter that would make any X-tian fundie or diehard PCer shit themselves twelvefold. Hell their music is even embraces by neo-nazis (despite the fact the lead singer/bassist is a Latino) The band however are not Satanists nor do they condone genocide or mass murder, to them such lyrical content it is simply an apt accompaniment to their unique sound. For instance when asked about their song Angel of Death (yeah that guy Mengela) was sympathetic guitarist Jeff Hanneman replied
"nothing I put in the lyrics that says necessarily he was a bad man, because to me - well, isn't that obvious? I shouldn't have to tell you that."
An even worse offender would be Chicago noise rock band Big Black, whose lyrical subject matter touches on all the very dark side of American life/culture . But not in any way to achieve any form of monetary gain nor to become "rock stars" but simply to connect to those who already know this or who have experienced it in one way or another. Nothing I can say can be said about this band or other, than can be said better by the book Our band could be your life (it won;t underline) or the documentray American Hardcore: the History of American Punk rock 1980-1986. I recogize there is alot of fucked up shit in songs along the way. But I'll be damned if 'Cocaine Blues" "down by the river" "Hey Joe" get banned. I'd fucking shot myself. If anything I'm way more offened by Lady Gaga and the ilk because they are straight up corporate whores to the T and spout industry garbage for money. She ain't no Kathleen Hanna, not by a long shot. Yes I listen to offensive music, I don;t think I'm a bad person.Thats the thing about art its like Duchamp's fountain to some it's profound to others it;s just another place to piss.
Just re-reading this thread - love old threads like this that become "new" again. :)
Anyhow, yeah, Lennon's "Jealous Guy" leaves me cold lyric-wise, although the tune is good. But the words ruin it for me.
Gee, I'm sorry I hurt you and made you cry - I didn't mean it - I'm just a jealous guy!
Oh, you're jealous! Oh, I see - well then, that's okay. Hit me, baby, one more time.
There's a line in "Woman" (a song I love love love) that also makes me go hmmm, considering lyrics like the one in Jealous Guy. "Woman, please let me explain: I never meant to cause you sorrow or pain."
Classic abuse pattern: abuse, then beg forgiveness. But imagine if, instead of getting flowers or candy the next day, you get a gorgeous, loving song that goes platinum.
I love Michael Jackson's music, but this song creeps me out, considering his creepy habit of sharing his bed with little boys who visited his ranch and the allegations of sexual abuse made against him:
PYT (Pretty Young Thing)
Great thead idea! I can't believe I missed it the first time.
I'm surprised no one has mentioned The Police. Consdier the lyrics of these two monster hits:
Every breath you take and every move you make
Every bond you break
Every step you take, I'll be watching you
Every single day and every word you say
Every game you play
Every night you stay, I'll be watching you
Oh can't you see you belong to me?
How my poor heart aches with every step you take
Every move you make and every vow you break
Every smile you fake
Every claim you stake, I'll be watching you
You know how bad girls get
Sometimes it's not so easy
To be the teachers pet
Temptation, frustration
So bad it makes him cry
Wet bus stop, she's waiting
His car is warm and dry
Don't stand, don't stand so
Don't stand so close to me
Loose talk in the classroom
To hurt they try and try
Strong words in the staffroom
The accusations fly
Its no use, he sees her
He starts to shake and cough
Just like the old man in
That book by nabakov
The first is about stalking, the second about a teacher being tempted by a female student.
Creepy and weird as they are (even for the time) they are still great songs.
Maybe they are great because they are creepy and weird?
Bah, The Police.
I liked their first record (the one with the line: "My fine young son has turned out gay," and the song about having sex with a rubber doll), and their second one was OK, but by the time they turned out the third one they were complete corporate whores and offensive by their existence, and thus songs like "Don't Stand So Close to Me" were mere slimy emanations of an already putrid swamp.
Probably every artist has lyrics in their collection of songs that will offend someone. Bob Dylan's lyrics to Lay Lady Lay (1969) included this: "Stay, lady, stay, stay with your man awhile ..."
I don't recall any opposition to the lyrics at the time, but it'd probably raise hackles today. ETA: I was in my first year of college when Dylan released this song, and recall it being played over and over again ad nauseum on the cafeteria juke box, along with the Supreme's Love Child.ETA: everytime I heard Dylan sing this lyric ("stay with your man awhile ...") I flashed back to Tammy Wynette singing "Stand By Your Man". Talk about ewwwwww!!!
A musician friend of mine once swore that "Lay Lady Lay" was about Dylan's dog "Lady". Indeed he had a Golden Lab called Lady I am told.
I have trouble finding "lay lady lay" offensive.
Unlike 'stand by your man' there is no indication that the woman is being pressured into staying in a bad situation. (The man's hands are 'clean' afterall).
There is a greattenderness and affection being sung to the woman by the man.
And while the song is likely about sex, you can also read this part as a marraige proposal:
Why wait any longer for the world to begin
You can have your cake and eat it too
Why wait any longer for the one you love
When he's standing in front of you
I think it's beautiful. I wish I could write a love song like that.
Long thread, continue here.