'A space without coordinates' is the inaugural show of SUM°, a curatorial and production incubator, made up of members Alize Zorlutuna, Bojana Videkanic, Nahed Mansour and Reena Katz.

Robert Edmonds is nailing his memories to the wall.

The artist, designer and Main Street fixture hangs the last of the frames of his Fragments in RPM exhibition in Vancouver's Public Lounge Eatery then pours himself a beer. Dozens of moments in music look down on him. It's the first of his solo exhibits in a while, but he's quietly excited about it. He doesn't do solo stuff much.

Fragments in RPM is comprised of screenprinted impressions of vinyl, and in their centres, Edmonds has placed fragments of gig posters he's designed over the past few years. Gomez, Hot Hot Heat, Franz Ferdinand, Flaming Lips, REM, Queens of the Stone Age and Warren Zevon all jam among them.

Monique Martin is known for her large scale paintings; however, this body of work is comprised of reductive technique linocuts. This exhibition explores the concept of "flow." She gained inspiration for the artwork from reading the book Flow by Mihaly Csikszentmihalyi. For Monique, art is all about entering a state of flow, whether it is working with students at the Fine Arts School where she teaches or in her studio. The creative process is what her life is about. She creates with her students at work and creates in her studio at home.