In late January, a small team gleaned from the ranks of Vancouver-based citizens' organizations OpenMedia.ca and Leadnow.ca took the wraps off an exciting new project called Reimagine CBC. The goal was simple, but ambitious: to spark a massive brainstorm on the future of public media in Canada by asking Canadians how the CBC, as a public broadcaster, could be reimagined as a leader in participatory, innovative and engaging media production.
Robert Lepage's enchanting play "Blue Dragon" was performed at the Royal Alexandra Theatre in Toronto from January 10 to February 19. Lepage is one of the world's greatest experimental directors: this production -- and perhaps all of his work -- is characterized by his unprecedented technological wizardry that sets the stage for tales of fragmented individuals longing for an end to the impermanence of love, living their ambivalent desire for Otherness, while permeated by the inexhaustible drive for immortality.
Migrating Landscapes was inspired by the individual experiences of architects Johanna Hurme (born in Finland), her business partner Sasa Radulovic (born in the former Yugoslavia) and colleague Jae-Sung Chon (born in South Korea), collectively known as the Migrating Landscapes Organizer or MLO. All three are first-generation immigrants, who, like most new Canadians, had unsettling encounters with the very different Canadian landscape and building forms as they settled into their new country.
Consider this a delayed obituary for McClelland & Stewart, "The Canadian Publishers," which effectively expired this month after a lengthy decline in the care of several owners and convoluted arrangements. They waited till the firm's 100th anniversary had passed -- a full week. Our question is: does this also mark the demise of Canadian cultural nationalism?
I was at the Leafs-Bruins game last week at the Air Canada Centre. In the second period, when it was still close, a Leaf was tripped in the Bruin zone but it wasn't called, continuing what the crowd saw as a pattern. The Leafs sagged, as if in protest or pain, the Bruins jumped in, got an odd-man rush and scored.
Someone said, "That was passive-aggressive." It rang true. It's as if the Leafs, expressing the collective mood, were pouting to the officials, "If you don't do your job, we won't do ours." Passive aggression is often counterproductive but it's deeply rooted and hard to restrain. Yet I doubt it would've been noticed if we'd been watching at home, or in a bar. It made me think about the difference between hockey on TV, versus on the spot.