Scene Otherwise takes a number of artistic conventions and images and re-imagines them in terms of contemporary concerns. The first exhibition of the work of Condé + Beveridge in Toronto in over eight years, it brings together a number of projects that address issues of the environment, economics and politics.

Includes a visit to the Varley Art Gallery of Markham for a tour with commentary by curator Sarah Quinton and artist Kai Chan.

Bus departs from the Textile Museum at 2:30 p.m. and leaves the Varley at 4:30 p.m. Reception is free; Bus tickets are $8 per person

For tickets call 416-599-5321, ext. 2228

Robert Edmonds is nailing his memories to the wall.

The artist, designer and Main Street fixture hangs the last of the frames of his Fragments in RPM exhibition in Vancouver's Public Lounge Eatery then pours himself a beer. Dozens of moments in music look down on him. It's the first of his solo exhibits in a while, but he's quietly excited about it. He doesn't do solo stuff much.

Fragments in RPM is comprised of screenprinted impressions of vinyl, and in their centres, Edmonds has placed fragments of gig posters he's designed over the past few years. Gomez, Hot Hot Heat, Franz Ferdinand, Flaming Lips, REM, Queens of the Stone Age and Warren Zevon all jam among them.

Suzanne Swannie is a Halifax-based designer and weaver who creates functional textiles, tapestries and large architectural installations for private and public environments. She also weaves pictorial tapestries and is known for unique fabric constructions such as the gallery installation Repassage. Both the woven works and the constructions display the "Danish Modern" principle of repetition of modular units as a means of generating surfaces and structures with a typical emphasis on rich colour harmonies.