Ode to the Type-writer

As you can see, the typewriter is extremely complicated and cumbersome. The main tray — which is like a typesetter's font of lead type — has about two thousand of the most frequent characters. Two thousand characters are not nearly enough for literary and scholarly purposes, so there are also a number of supplementary trays from which less frequent characters may be retrieved when necessary. What is even more intimidating about a Chinese typewriter is that the characters as seen by the typist are backwards and upside down! Add to this challenging orientation the fact that the pieces of type are tiny and all of a single metallic shade, it becomes a maddening task to find the right character. But that is not all, since there is also the problem of the principle (or lack thereof) upon which the characters are ordered in the tray. By radical? By total stroke count? Both of these methods would result in numerous characters under the same heading. By rough frequency? By telegraph code? Unfortunately, nobody seems to have thought to use the easiest and most user-friendly method of arranging the characters according to their pronunciation.

For all of the above reasons, using a Chinese typewriter was (and still is!) an excruciating experience.