Steve Almond: The Joke’s on You
Over the past decade, political humor has proliferated not as a daring form of social commentary, but a reliable profit source. Our high-tech jesters serve as smirking adjuncts to the dysfunctional institutions of modern media and politics, from which all their routines derive. Their net effect is almost entirely therapeutic: they congratulate viewers for their fine habits of thought and feeling while remaining careful never to question the corrupt precepts of the status quo too vigorously.Our lazy embrace of Stewart and Colbert is a testament to our own impoverished comic standards. We have come to accept coy mockery as genuine subversion and snarky mimesis as originality. It would be more accurate to describe our golden age of political comedy as the peak output of a lucrative corporate plantation whose chief export is a cheap and powerful opiate for progressive angst and rage.
The queasy irony here is that Stewart and Colbert are parasites of the dysfunction they mock. Without blowhards such as Carlson and shameless politicians, Stewart would be out of a job that pays him a reported $14 million per annum. Without the bigoted bluster of Bill O’Reilly and Rush Limbaugh, The Colbert Report would not exist. They aren’t just invested in the status quo, but dependent on it.Consider, in this context, Stewart’s coverage of the Occupy Wall Street movement. His initial segment highlighted the hypocrisy of those who portrayed the protestors in Zuccotti Park as lawless and menacing while praising Tea Party rallies as quintessentially patriotic. But Stewart was careful to include a caveat: “I mean, look, if this thing turns into throwing trash cans into Starbucks windows, nobody’s gonna be down with that,” he said, alluding to vandalism by activists during a 1999 World Trade Organization summit. Stewart then leaned toward the camera and said, in his best guilty-liberal stage whisper, “We all love Starbucks.” The audience laughed approvingly. Protests for economic justice are worthy of our praise, just so long as they don’t take aim at our luxuries. The show later sent two correspondents down to Zuccotti Park. One highlighted the various “weirdos” on display. The other played up the alleged class divisions within those occupying the park. Both segments trivialized the movement by playing to right-wing stereotypes of protestors as self-indulgent neo-hippies.