A Bold Vision: Women Leaders Imagining Canada's Future
A bold vision for Canada's future: what would that look like to you?
Would it encompass a new outlook on justice and politics, or would it emphasize equality and equity or would it require a look back on Canada's past in order to better see the future? Would it be all of these things?
When the members of A Bold Vision Steering Committee posed this question to numerous women leaders in Canada, A Bold Vision: Women Leaders Imagining Canada's Future was born.
The anthology's list of contributors reads like one conjured from the question "If you could have dinner with any Canadian feminist hero, who would it be?"
Belonging: The Paradox of Citizenship
I suspect many of us share Adrienne Clarkson's vision of what Canada is and should be: a place where everyone can belong.
Her latest book Belonging: The Paradox of Citizenship, based on the 2014 Massey Lectures she delivered on CBC Radio, offers plenty of philosophical and evidentiary reasons for promoting the admirable concept of shared citizenship.
Yet, somehow, I also suspect that many of us couldn't help wonder whether this grand vision she describes so convincingly is fading away into a past we are already beginning to lament.
This Changes Everything: Capitalism vs. The Climate
On Burnaby Mountain, while oil company Kinder Morgan works to lay a pipeline, growing numbers of people have been standing and resisting since September 3.
Indigenous land defenders and settler allies point out that these are still unceded Indigenous lands. Occupying them to establish the Trans Mountain pipeline, transporting crude oil and refined products from Edmonton to Burnaby, would also bring 890,000 barrels of tar sands oil every day. This at a time when nearly every day another report reveals that our climate is more susceptible to carbon dioxide than we realized, and that we should be keeping it all in the ground to stand anywhere near a chance.
Mink is a witness, a shape shifter, compelled to follow the story that has ensnared Celia and her village, on the West coast of Vancouver Island in Nu:Chahlnuth territory.
Celia is a seer who — despite being convinced she’s a little “off” — must heal her village with the assistance of her sister, her mother and father, and her nephews.
While mink is visiting, a double-headed sea serpent falls off the house front during a fierce storm. The old snake, ostracized from the village decades earlier, has left his terrible influence on Amos, a residential school survivor. The occurrence signals the unfolding of an ordeal that pulls Celia out of her reveries and into the tragedy of her cousin’s granddaughter.
Eliza Robertson was born in Vancouver and grew up on Vancouver Island. Her stories have been shortlisted for the Journey Prize and CBC Short Story Prize. In 2013, she won the Commonwealth Short Story Prize.
Her first collection of stories, Wallflowers, came out with Hamish Hamilton Canada and Bloomsbury this year. She lives in England.
Why is Dionne Brand's new novel called Love Enough?
That was a question I asked myself while reading. Of course, I knew I might never have a proper answer. Still, I suppose that one way to answer that question would be to track where love appears, where love is silent, what love does, what love is in proximity to.
On page five! A clue:
From the Poplars
British Columbia has a knack for harvesting poets focused on creating work that spends equal time in language experiments and social justice; these poets include Jeff Derksen, Nikki Reimer, Michael Turner and Daphne Marlatt.
The concept of 'activist poet' might not be a moniker that fits easily as a category in the expanding and always subjective world of Canadian poetry. However, those who touch on the spiritual and political in their poetry should be admired, regardless of possible labels that could be affixed to their creative approaches, because they raise the bar on social and environmental issues.
Irving vs. Irving: Canada's Feuding Billionaires and the Stories they won't tell
In this review of Irving vs. Irving: Canada's Feuding Billionaires and the Stories they won't tell, Canada's third wealthiest family -- who have a monopoly on New Brunswick’s English-language print media and billions of dollars in offshore accounts -- is examined against the backdrop of their history and relationships and their newspaper operations. Read on!
To think about the media landscape in New Brunswick, and the economy and politics more generally, one must come to terms with the power of the Irving family.
The narrator of Hysteric, Quebecoise author Nelly Arcan's recently translated second novel, is -- like her creator -- a young Plateau Mont-Royal writer named Nelly whose debut novel about her years as a prostitute was an international success. Having sworn at age 15 to end her life at 30, Nelly tells us early in the text that "something within me has always been absent."
But the gaze of a nameless lover, a young freelance journalist with a penchant for cyberporn, infuses her with a fragile vitality; Nelly, at 29, meets him at a techno party in a bar aptly called Nova.