Wikileaks is again publishing a trove of documents, in this case classified U.S. State Department diplomatic cables. The whistle-blower website will gradually be releasing more than 250,000 of these documents in the coming months so that they can be analyzed and gain the attention they deserve. The cables are internal, written communications among U.S. embassies around the world and also to the U.S. State Department. Wikileaks described the leak as "the largest set of confidential documents ever to be released into the public domain [giving] an unprecedented insight into U.S. government foreign activities."
UN defeat reflects uneasiness about Canada's shifting role
After its humiliating rejection at the UN last week, the Harper government wasted no time in signalling it didn't plan to pay the slightest attention to the judgment of the world's nations.
Perhaps it is too much to expect some humility -- or even a moment of reflection -- in Ottawa after the international community declined for the first time ever to grant Canada's bid for a seat on the UN Security Council.
Like a kid who can't get along with the other kids in the sandbox, our prime minister promptly implied he never wanted to play with them anyway, that he wasn't interested in winning "based on popularity." Meanwhile, Conservative commentators suggested Canada's rejection by the world's nations amounted to a "moral victory."
Conrad Black's inner child
Black's Bad Boy: My stab at what got Conrad Black through a prison stretch isn't his arrogance or sense of rectitude. It's his not-so-inner child, an eternal boyishness. You hear it in the piece he wrote last weekend for the National Post. It has a sense of adventure with an improbably happy ending; it could have come out of the Boy's Own Annual, which I can picture him reading, absorbing the Dickensian stylistics. (He's always been a Victorian figure, which helps explain his choice of British lordship over Canadian citizenship.)
Road Movie: A film installation by Elle Flanders and Tamira Sawatzky
Location
Elle Flanders and Tamira Sawatzky's powerful new installation offers a unique chronicle of lives rarely seen and voices seldom heard. Comprised of a series of individual journeys, and shot using stop-motion animation that captures the landscape frame by frame, the work is presented on three large double-sided walls. Road Movie is the result of year-long travels-with passage through segregated West Bank roads, during which the artists met a cross-section of people living in the region. An episodic odyssey through haunting landscapes, Road Movie also features an evocative soundscape created by acclaimed audio artist Anna Friz.
Opening reception: Sat. Sept 10 6-9pm
Artisis' talks: Sun. Sept 11 & Sun Sept 18 at 2-4pm
How we got here
It is amusing to watch the never-ending battle of opinions, often devoid of all but the tiniest sliver of fact, if that, in the political arena in the U.S. and Canada. It is particularly entertaining when observing the scene in the United States where fantasies and off-the-wall ideas seem to be a staple in political discourse between the major parties and groups like the Tea Party.
So much of what is said and taken for gospel by one side or the other appears myopic, as if people only pay attention to those parts of history that they find favourable while ignoring the rest. One might reasonably conclude that many do not pay any attention to history at all, aside from the spin that they pick up, created to push one view or another.